Saturday, 16 November 2019

Hidden God


       
         Lithograph: Durham Cathedral

The cathedral is always above
their heads, squat on the scarp,
foundations a platform of smoke,
clutter above the sinking lane
where a chimney-sweep turns to the inn,
a miner in this small city of bends
and stacks and black soot clogging.                               

Down at the turn, a churchman,
smirking, strolls with his cane,
his wife with kerchief to face,
upright as trees
on the rise behind,
a slant of morning between them.


Out in the churned land,
jigs and rigging riddle the fields,
dark folds piling
for heavers who stumble,
ants on the mound
where the pits’ gain’s tipped
and the brakes clump,

dirt on the wheels in the sludge
and mush of it back to the burning,
the sheer bluff blind at its corner,
his gaiters protecting
the pick of her pattens
in the dearth of the smudged sun’s shaft.


The way down to cobbles continues to kilter,
the usual cart, all falter and lumber,
a goad over the horse.

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