Everywhere’s sunny,
except at the field’s end
where shadows sharpen
the warp and shift of elms,
a thicket behind
that slub of quaking green
down to our pond.
A world slopes at the edge
where we both stand,
nipped between firm and the drowning.
Free verse and formal, narrative to confessional to modernist styles, interesting themes, striking images, differing viewpoints, depth of insight, the will to write and think - all are important to the poetry-minded.
Everywhere’s sunny,
except at the field’s end
where shadows sharpen
the warp and shift of elms,
a thicket behind
that slub of quaking green
down to our pond.
A world slopes at the edge
where we both stand,
nipped between firm and the drowning.
That day bled into rain,
trees dripped with mist
in the morning,
our drapes gathered back
to a room thick with quiet,
light shallow as leaves
in this dimmed work.
It's on the wall still:
blued pagodas, muted
willows above the boat
stitched onto water.
There's no hurrying
over the grey bridge
where a man stands.
Hours picked threads
set stiff within frames,
layers lapped out
to unnatural flowers.
No one goes anywhere.
There is grey, slaked blue,
the gone tone of a gone sun.