Free verse and formal, narrative to confessional to modernist styles, interesting themes, striking images, differing viewpoints, depth of insight, the will to write and think - all are important to the poetry-minded.
Tuesday, 20 March 2018
Mad decorators
My husband recently floated the idea of black wallpaper in his study. I don't usually issue vetos, but this time did, foot firmly down and voice raised. As a child, I'd had enough of my mother's sometimes mad ideas of wall decor and she would redecorate every six months or so - an outcome of her frustration and lost dreams of going to Art School, I'm sure.
One time she painted the kitchen scarlet "so it seemed warm in winter." It drove the whole family crazy within days, we all complained and even she finally conceded it was too much. It was soon repainted in a very cool cream.
Yet she had some fabulous sucesses. One was redecorating the living room. She'd found some rolls of wallpaper handprinted with big trails of white camellias and their muted green leaves and just a touch of the palest pinks and yellows in the petals' hearts, all on a very pale silvery-grey ground. She painted the walls the same pale grey, then hung the paper in blocks so that a good depth of the painted walls acted as a frame. After, she found some satin-striped wallpaper the same shade as the palest green of the leaves, cut it along the stripes into narrowish bands and pasted those up at the edge of the wallpaper to act as a coloured frame. With that, white-painted woodwork, and curtains of the same green as the wallpaper border, the effect was superb. It was much admired by friends, neighbours and family and did her ego no end of good.
The craze to redecorate died back when she took up oil painting again in her late fifties, exhibited and sold her paintings thereafter. There was, probably, no time to spend on walls after that.
Moral? Don't frustrate talent.
Monday, 19 March 2018
Milestones: 1. Kingdom
Mist rises this morning;
hills fade as I watch.
By my gaunt fence,
the elder becomes grey
bones;
it waits, a shadow
of
shape and memory
where
the robin’s lull
unnerves the wood beyond.
The elements are out
and I cannot clarify.
unnerves the wood beyond.
The elements are out
and I cannot clarify.
My
focus is one small patch
around my feet, the grass
around my feet, the grass
my
aim in a cast dawn,
one thin shoot taut
where drops depend
on the blade’s arc.
one thin shoot taut
where drops depend
on the blade’s arc.
My faces tremble
across their mirrors,
captive, an atom’s
width
from extinction
and nowhere to go,
but down.
Over the turning core,
earth puddles and slicks:
one slip and all roots gone,
I am giddy and sick
in a fall where haze
clings cold on my skin.
A small wind
shifts the air,
the beetle flies;
my only tokens
for each fat season
when gold fields shine.
and nowhere to go,
but down.
Over the turning core,
earth puddles and slicks:
one slip and all roots gone,
I am giddy and sick
in a fall where haze
clings cold on my skin.
A small wind
shifts the air,
the beetle flies;
my only tokens
for each fat season
when gold fields shine.
This poem and the ten following are part of the sequence, Milestones.
Friday, 16 March 2018
2. Foundation
is wild with seeds.
I disorder the bed for spring,
grown tough, uprooting weeds
grown deep under a thin sun.
Out of time with the seasons,
I force a habit to dig,
continue to sift where purification
is never perfection under a cold sky.
Hard clouds repeat and repeat,
cast by wind across winter;
the paled sun shivers, bedded in grey.
Acts of an old star
are constantly with me,
shooting and dropping full
from the Virgin's sheaf:
in my living is their foundation.
I reach rock
where the roots clutch dry,
a confusion of need
sunk sure in the fault.
Time's web locked
their wrong growth.
Ripped from their bed,
they maze in my hand,
unlearn the way of the ground.
The stone is pristine now.
I rise up from the split and cut of it
where matter is form and custom
held by impending earth.
It shadows and shines
under a new plane of light,
a tone of stars
beyond our common gods.
Monday, 12 March 2018
3. Reverberations
I
Plainsong of water-fall,
reprise of leaf-drop,
peace,
but night is all boom
reporting terror,
the slap of each wave
an echo of origin
where grieved air howls.
II
On my knees before fire,
which is God, which guy,
I cannot tell.
The wind translates
a chemical fog;
it stings belief from sight,
rattles old breath
through my tight throat
under the cut moon.
III
Rockets flare green, splay red,
spatter silver, freckle, scatter.
Sparks hide in the dark,
rhythms run out to a faint beat
beyond the lie of their long fall.
IV
Behind me and full
the house lights shaft.
the house lights shaft.
Monday, 5 March 2018
4. Forever
You fish between clouds tonight,
eyepiece
rolled to her full cycle,
catch
her in your wide net.
She
clocks eternity,
day-arc,
dark-swing,
dame
of the turning wheel,
charm
of the evening breeze,
cool
of the morning desert,
mistress
of deep seasons,
the
mover of lovers firmed by your scrying,
her
rise a slip in the night
where
she clings to the dropped sun’s orb.
I
watch you watch her ebb from the sky,
veined
hand fixing and twisting
on
that bright slave to her compelling lord,
mourner
of his drowned passions
fallen
over your hard world’s edge,
beyond
the thrust and suck of the tide.
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